Keeping Heart

I had a good time at Reroll Tavern last Sunday for a novelists night. M.S. Chambers and I were the guest authors, and there were readings of works in progress by some of the attendees. I must say, these folks were impressive. I sincerely hope they continue writing and share their talent with the rest of us when they finish their works. I want to read the final products.

After my talk, one gentleman asked how do you keep from getting discouraged. My response was that I had a husband, two cats, a horse, and a garden. Also, I sew a lot. But he really deserved a better answer than that. Here is something that I hope will address his question.

If you submit, you will very likely get rejected–a lot. There are probably millions of submissions to various places every day. The chances of everything you write getting accepted the first time is minuscule.  Plan for that. The story goes that Stephen King had a spike where he impaled every rejection he got. It was really, really deep in rejections early in his writing life. His wife, Tabitha, famously retrieved Carrie from the trash can. You will reject things, editors will  reject things. There are reasons for this. It helps to know what those are.

You may reject something because you think it isn’t good enough or you’re sick of it or you think it’s too much trouble to fix. That’s giving up. Don’t do it. Set it aside, sure, but come back to it and make it right. Then submit it.

Editors reject things for a lot of reasons. Some you have control over. Some you don’t. If the story or book is wrong for that magazine, anthology, publisher, you’ll get rejected. Prevent that by knowing what the magazine or publisher wants before you waste their time and yours. They will clearly tell you on their website or their call for submissions what they are looking for, even sometimes what they will reject outright and what will be a hard sell. The happy accident happens when you have written a story that you like a lot and for no particular reason, then you see a call for submissions that is an exact fit. This happened with my short story, “Heart and Minds”.

Sometimes the work just isn’t good enough. You can rethink, rewrite, rework it until it is. Sometimes the market has changed. If you’re not keeping track, you may get left behind. The Magazine of Fantasy and Science Fiction has changed so much in its 74 years that my husband, who subscribed for decades, no longer reads it. He’s gone elsewhere. You can too.

Some things you have no control over. Because we are all so connected by social media, television, books, movies, and in a thousand other ways, there is a zeitgeist that may inspire similar ideas in writers at the same time. When an editor gets three submissions of very similar stories, and they’ve already accepted the first one, you’ll be left in the dust, not because your story wasn’t great and a finger on the pulse of the universe, but because someone got there first.  Try somewhere else. Sometimes submissions will close because there are so many that the editors have stopped accepting new ones. When a call for submissions on a theme for an anthology rejects your specially written work, let it rest a bit, reexamine it, see if it needs some tweaking to make it less specific, and send it someplace else. This happened with “Between”, a short story I wrote for an anthology but wasn’t a good fit for that group of stories.  It has now been accepted by another anthology. Mind you, I rewrote it and submitted it several places until I found just the right fit.

You’ll notice a theme here: keep submitting. J. K. Rowling sent her first Harry Potter book to about a million publishers before it was accepted. Persevere. Somebody somewhere will want that story, if it’s well written and interesting.

When I worked in a research lab, sometimes our experiments would take years to get us to the point we could write up the results. Talk about delayed gratification. My way of dealing with that was to have hobbies that gave me instant gratification. I still have those hobbies.

You will get discouraged. Commiserate with family and friends and other authors, get back to work, if required, and keep submitting. You probably won’t get rich or famous, but you’ll have done something you (hopefully) love, and eventually, someday, you’ll see your name in print.

Image: Novelists Night at Reroll Tavern. By the manager, Russell.

Creating Legacy

I just finished reading Rabid: A Cultural History of the World’s Most Diabolical Virus by Bill Wasik of Wired magazine and his wife, Monica Murphy, who has degrees in public health and veterinary medicine. The book is entirely fascinating, but one of my favorite parts was the description of Louis Pasteur and all his work with vaccines. I always knew Pasteur was awesome, but I never realized how totally awesome. His legacy includes vaccines for anthrax, rabies, and (with a significant contributions by Emile Roux) chicken cholera, not to mention saving the French wine industry, as well as establishing the method for purifying and protecting food that bears his name: Pasteurization. Add to this his establishing the Institut Pasteur and all that it has accomplished both during his life and since his death, and you can’t help but be impressed.

Within the same day of finishing Rabid, I came upon a story about J.K. Rowling and what is likely to be her legacy. Beyond the beloved Harry Potter universe she has created, she has donated hundreds of thousands of her millions to charities, especially those that preserve families and aid orphans. Being someone who knows what struggling to survive is like, she is giving back in a significant way. I contrast this with the probable legacy of another extremely rich person recently in the news–Jeffrey Epstein. I think that people will not remember him as fondly.

I’m not sure people think much about their legacies. In a television program I like a lot called “A Craftsman’s Legacy”, the host, Eric Gorges, asks each person he spends time with two questions: do you consider yourself a craftsman or an artist; and, do you think about your legacy. Some folks are conscious of what they are leaving behind. Someone who creates a body of work or has trained a lot of students tends to have an awareness of their effect on the world and that it will linger after they have gone. Some people think about their children as a legacy who will carry on their genes and names, their looks and maybe their mannerisms, perhaps even their businesses and skills. But whether we realize it or not, everything we do “leaves a mark,” and people don’t often act as though they understand that. Abuse often begets abuse as families of abusers can attest. Kindness and generosity, often the same. I see my father in my family members and hear his humor and turns of phrase. He was a man who loved his children unconditionally, and I’m happy to say I think that legacy survives in his children and in the people whose lives he touched.

I’m not sure what my legacy will be. Nothing from my days as a researcher is significant as far as I know, but at least a few people lived and didn’t die because of things I did in the lab. I have some writing, fiction and non fiction, that may last a while, for better or worse. I have had students, and they have had students, so I think that’s good. It’s hard to say what will survive after we are gone. I’m no Pasteur or Rowling, but I hope my legacy will balance on the side of leaving things better rather than worse after I’m gone. Maybe between now and when I fall off my perch, I can add to that legacy in a positive way. Best get on it.

Image: Stable dog (not rabid) at Harrowway House, Penton Mewsey, Hampshire, UK. By Jonathan Hutchins.