Barbenheimer and Cocaine Bears

Those who follow me regularly know I love movies. I love them so much that I am fascinated by how they are made. Best thing about getting a DVD is the bonus material on “the making of”.  Though I loved everything  Dick Francis wrote, I especially loved his novel Wild Horses about the madness that is making a movie.

Since I’ve been reading about how to write screen plays, I’ve seen a whole new dimension to how a movie comes into being. The amazing Blake Snyder in his series of Save the Cat! books on writing screen plays tells what a person needs to know to get the bones of a movie into writing. Sadly, Mr. Snyder died in 2009, but his books and methods are as popular as ever.

As I’ve said in this blog before, when you have a new way of seeing things, suddenly all the world is new. I’ve begun to think about all the stories  that “would make a great screen play!” If only that were true.

I recently watched Cocaine Bear. It was every bit as terrible and wonderful,  hilarious and disgusting as you might imagine.  And, yes, I have committed Barbenheimer, not all at once like some brave souls, but about a week apart. I can’t make a stand on which one to watch first, but as it happens, I saw Oppenheimer first. It was a great movie, but only part of that had to do with the script. It was visually stunning along with sound, acting, timing, all the bits that come together to make a movie happen well when it all comes together. Barbie had a very clever script and amazing sets. I have to confess, I was slightly disappointed and can’t exactly put my finger on why–perhaps because the pacing in the middle fell apart a bit. Still, the opening sequence alone was priceless.

The tricky thing about movies is they are such a collaboration. Even with great actors, a bad director can scupper the whole thing. Bad editing, inappropriate or lifeless score and sound, lousy effects all can hurt an otherwise great movie.  Mr. Snyder points to the Tomb Raider sequel as an example of a movie that just didn’t work because we couldn’t care about the main character. Everything else can be right, but a “so what?” lead in his opinion doomed the end result. The poor performance at the box office bears him out.

I’ve begun to see patterns in movies and television shows that meet the requirements for the” beats” that must come to keep the story interesting. You might suspect that would be a problem like seeing the strings making the puppets dance across the stage.  Instead, it fascinates me. I suspect it’s going to make me a better author of books and stories in general. Mind you, I haven’t gotten very deep into trying to write screen plays yet, but that is coming. And hopefully this awareness will help me succeed.

I just finished Mr. Snyder’s second book, Save the Cat ! Goes to the Movies. In it he breaks down movies into 10 popular genres and describes the beats of 50 landmark movies showing how they achieved their greatness. It makes me want to sit down with my streaming services and soak myself in great film. Alas, I have a garden to tend, a blog to write now and again, and my own adventures in writing a screenplay. Wish me luck.

Image: Cloud, a cat not currently in need of saving. By Jonathan Hutchins

1800’s Science Fiction Part II

Part II of notes from the panel Jonathan Hutchins, Rachel Ellyn, and I had the great pleasure presenting a panel at Planet Comicon Kansas City. Anyone who didn’t  make it, or anyone who did and is curious about our list of works and authors and a few other fun facts, here it is! 

Again, let me say, for the purposes of this panel, the 1800’s included 1800 to 1899. Some of the authors wrote into the 20th century, but we did not include these. Also, we excluded for the most part, fantasy and gothic novels. Science fiction we defined (as did Mary Shelley) stories where the action is based on scientific possibility whereas fantasy usually has some magical element. Also please not, many of these stories have elements of misogyny, racism, nationalism, and other things that were current to the time and should be read with that in mind.

1870 Verne Twenty Thousand Leagues Under the Seas. Another adventure story using advanced technologies including an electric submarine, gas-discharge lamp and a taser. It contains detailed descriptions of undersea life which would have been unknown to the readers of the day.

1870 Annie Denton Cridge “Man’s Rights; Or, How Would You Like It? Comprising Dreams”

Man’s Rights, a work of Utopian science fiction and satire, is the first known feminist utopian novel written by a woman.

In a series of dreams, the female narrator visits the planet Mars, finding a society where traditional sex roles and stereotypes are reversed. The narrator witnesses the oppression of the men and their struggle for equality. They start working towards their liberation after technological advancements free them from some of their grueling domestic chores. In the last two dreams, the narrator visits a future United States, ruled by a woman president and with an equal balance of men and women in the House and Senate. Legislators have begun to stop fining and imprisoning female prostitutes, and it is now the male clients who get arrested and sent to reformatories. A large number of women have taken up farming, and the nation has a promising economic future. The narrator concludes by asking whether this dream might not, after all, be a prophecy?

1871 George T. Chesney The Battle of Dorking First published as a magazine serial. Future war with the British navy defeated by a wonder weapon. The enemy wins and breaks up the British empire (US gets Canada). Futurism and advanced technologies.

1871Edward Bulwer-Lytton The Coming Race Subterranean super race is discovered by accident by a young traveler while visiting a deep mine. The Vril-ya use the force called Vril for destruction or healing (due to the popularity of the book, any health food or elixir was called Vril, i.e. Bovril). In the end the narrator returns to Earth and warns of the coming of this superior race.

This is the Bulwer-Lytton that the bad writing contest is named after.

1872 Samual Butler Erewhon; or, Over the Range A satire describing what at first seems a utopia, but on further examination is more like a distopia. “The Book of Machines”, a three chapter section warns that machines might become sentient and dangerous. In Erewhon, machines are not used for fear of this. This is one of the pastoral utopian stories.

1877 Verne Off on a Comet Another space travel adventure.

1880 James De Mille A Strange Manuscript Found in a Copper Cylinder Published and serialized posthuously and anonymously, its writing predated She and King Solomons Mines but is often compared to them. A lost world story with satire civilization in opposition to culture of the day. In a copper cylinder is the account of a man who, after being separated from his ship in a little row boat with boat mate, finds himself in a tropical paradise in the Anarctic.

1880 Percy Gregg Across the Zodiac; The Story of a Wrecked Record The first sword and planet fiction. Centering around the creation of a substance called “apergy”, a form of anti-gravitational energy, this details a flight to Mars taken in 1830. The planet is inhabited by small beings who, convinced that life couldn’t exist any where else apart from on their world, refuse to believe that the narrator is actually from Earth, deciding instead he is an unusually tall Martian from a remote corner of their planet. The book contains what is probably the first alien language in any work of fiction to be described with linguistic and grammatical terminology, and likely the first instance in the English language of the word “Astronaut”, the name of the narrator’s spacecraft. In 2010 a crater on Mars was named Greg in recognition of his contribution to the lore of Mars. Not an easy read for writing style, sexism and racism, not much plot, lots of political nonsense.

1883 Albert Robida The 20th Century (This and two other novels were combined into one book, including in 1887 War in the 20th Century, and in 1890 The 20th Century, the Life Electric) These are fun for checking against the predicted and the real. Takes place in 1952. Predictions include the world-wide media saturation, news and entertainment merging, and advertising dominating broadcasts; the English Channel tunnel; merging and homogenizing of cultures; the dominance of multinational corporations. Unlike Verne, he proposed inventions integrated into everyday life (like Mary Webb did), and the social developments that arose from them like the social advancement of women, mass tourism, and pollution. He describes modern warfare with robotic missiles and poison gas, a flat screen television display that delivers news 24-hours a day, plays, educational courses, and teleconferences.

1886 Verne Robur the Conqueror. The Clipper of the Clouds Robur develops a heavier than air ship, the Albatross. Screw driven by electrical energy. A bit like a helicopter, downward rotors and two for push, pull actions.

1886 Robert Lewis Stevenson The Strange Cast of Dr. Jekyll and Mr. Hyde Scientist experiments with splitting out his baser self with whom he has struggled all his life. When Hyde appears without the serum, large and more frequent doses are needed to remain Jekyll. Finally, a salt that is essential to the potion runs out and new batches don’t work, apparently because the original had an impurity that allowed the reaction. A “mad scientist” story.

1887 Flammarion Stories Of Infinity: Lumen; History Of A Comet; In Infinity Conversation between a spirit who travels through the universe and a man. One of the earliest works to consider the matters of relativity, alien life, and the advancement of mankind. Flammarion tended touse elaborate explanations of scientific principles and even included mathematical calculations in some of his stories

1887 W. H. Hudson A Crystal Age Pastoral utopian novel (like News from Nowhere), published anonymously originally. Man wakes up more than 100 centuries in the future. (Author also wrote the more famous Green Mansions). The people of his imagined future possess only one piece of technology, a system of “brass globes” that produces a form of ambient music. Otherwise they have no machines and only simple devices. Only the “father” and “Mother” of the commune breed; everyone else lives like siblings.

1888 Edward Bellamy Looking Backward Time travel novel with strong socialism and anti-captalism themes. Julian West, a young American, who towards the end of the 19th century, falls into a deep, hypnosis-induced sleep and wakes up 113 years later. He finds himself in the year 2000, and the United States has been transformed into a socialist utopia with nationalization of all industry, and the use of an “industrial army” to organize production and distribution, as well as how to ensure free cultural production under such conditions.

1889 Mark Twain A Connecticut Yankee in King Arthur’s Court Time travel. Use of future technology (1880’s) in a past time.

1890 Mary E. Bradley Lane Mizora: A Prophecy: A Mss. Found Among the Private Papers of Princess Vera Zarovitch: Being a True and Faithful Account of her Journey to the Interior of the Earth, with a Careful Description of the Country and its Inhabitants, their Customs, Manners, and Government. A hollow Earth and utopian story. First serialized then published as a book, “the first portrait of an all-female, self-sufficient society,” and “the first feminist technological Utopia.” The narrator Vera is sent to Siberia and goes over a waterfall to the center of the Earth where she finds a women only culture that practice eugenics. They are Aryan and abhor dark colored skin. The futuristic technology includes “videophones” and making rain by discharging electricity into the air. Though Mizora has no domestic animals, its women eat chemically-prepared artificial meat.

1890 William Morris News From Nowhere; or, An Epic of Rest Being Some Chapters From a Utopian Romance Pastoral utopian novel with utopian socialism. William Guest falls asleep and finds himself in a future society.

1891 Milton Ramsey Six Thousand Years Hence Includes space travel, hollow Earth and futurism. Proposes machine translators.

1893 George Griffith The Angel or the Revolution: A Tale of the Coming Terror Aerial battleships and surface to air missles are predicted.

1894 Flammarion Omega: The Last Days of the World Another apocalyptic story in a future with international telephone service and the European Union.

1894 John Jacob Astor IV A Journey in Other Worlds Two interesting ideas in this: Earth axis straightening to end seasons, and a voyager to Jupiter and Saturn via a vehicle powered by “apergy” (fictious anti-gravity energy seen in a previous novel) and assisted by gravity (gravity assisted acceleration). Huge dams are used to power shifting the Earth, one at Niagra Falls (actually built 23 years later) and a tidal energy plant in the Bay of Fundy (built in 1980). Also proposes using Earth’s mantle heat for power.

A portion of the story involves looking back to the year 2000. Electricity does all the work including solar energy. (First solar cell 1883, ~1% efficient, in 2000 ~11% and today greater than 32 %). An explosive no power can resist causes people to abandon war; the Great War never happens. US ends up with most of the Western hemisphere (Canada, Central America).

Description of space craft is surprisingly close in some aspects. Today, beryllium is used and the dimensions of the interior are not off much those of the Apollo modules. But the story also includes packing fishing tackle, guns and canned food cooked on an electric stove in the space craft. The space travelers collect samples by shooting them; they have explosive bullets in guns. They describe strange and unique plants and animals including dinosaur-like creatures, pneumatic powered snakes and flowers that attract pollenators by sound. The travelers eat and drink from Jupiter’s animals and streams. On Saturn, spirits of the dead dwell.

(Astor died on the Titanic and was at the time, the richest man in the world.)

1895 Robert Comie The Crack of Doom A strange group proposes blowing up the world with what might be described as an atomic bomb.

1895 H.G. Wells The Time Machine Time travel, futurism, dystopia. A future where passive race of humans serve as “livestock” for a subterranean race of humans. In one version of the novel, the traveler goes to see the time near the end of the world when all life is gone and the atmosphere barely breathable.

1895 H.G. Wells “Argonauts of the Air” Men successfully fly but die when they can’t control the plane. Omitted from collections of the author’s works after the Wright brothers’ success.

1896 H.G. Wells “The Plattner Story” An alternate universe experienced.

1896 H.G. Wells “Under the Knife” An astral trip through the solar system and universe.

1896 H.G. Wells “In the Abyss” Bathospheric encounter with deep sea bipeds and their city.

1896 Wells The Island of Doctor Moreau Organ transplantation and human and animal hybridization.

1897 H.G. Wells “The Crystal Egg” Television-like method of viewing life on Mars.

1897 Wells The Invisible Man Originally serialized then in a book. An evil genius uses alterations in optical properties of tissues through chemical and electrical means. First he makes white cloth then a white cat invisible. Griffin is an albino. Issue of retinas needing to be able to absorb light to see explained away. He is the worst of the evil geniuses in literature.

1897 Kurd Lasswitz Two Planets Describes an encounter between humans and a Martian civilization that is older and more advanced. Martians are running out of water, eating synthetic foods, traveling by rolling roads, and using space stations. The spaceships use anti-gravity, but travel realistic orbital trajectories, and use occasional mid-course corrections in traveling between Mars and the Earth; the book depicted the technically correct transit between the orbits of two planets, something poorly understood by other early science fiction writers. It influenced Walter Hohmann and Wernher von Braun. The book was not translated into English until 1971 (as Two Planets), and the translation is incomplete. Auf zwei Planeten was his most successful novel.

1898 Wells The War of the Worlds First serialised in 1897. The novel’s first appearance in hardcover was in 1898. Alien invasion. Descritions of technology that accomodates a non-bipedal alien. Poison gas and death ray.

1899 Wells When the Sleeper Wakes Originally published as a serial. Reworked and rereleased in 1910 as The Sleeper Awakes. Dystopia future; a man sleeps for two hundred and three years, waking up in a completely transformed London in which he has become the richest man in the world. The main character awakes to see his dreams realised, and the future revealed to him in all its horrors and malformities.

Also, two stories by Rudyard Kipling, “.007” and “The Ship that Found Herself” suggesting machines that are self aware.

An update from the SysAdmin: Certificate Fix

For more than a year how, the SSL certificate for the site, has had an error.  It wasn’t really a functional error, it was just showing that the certificate was expired.

I finally got the certificate update, and everything should be fine now

Quite a Character

I recently finished another book by one of my favorite authors, C. J. Box. I first encountered his books at a gift shop in Yellowstone National Park, a wild and beautiful place where the action in his stories takes place from time to time.

C. J. Box has written a series of mysteries with a protagonist named Joe Pickett, a Wyoming game warden with a loving family, a dedication to his job, and a talent for destroying pickup trucks. Box has also written some stand alone mysteries. I say mysteries, but they are suspense novels as well, packed with action, wilderness locations, and great characters.

One of the things I love most about Box’s writing is his masterful way of introducing characters. I have to admit this is something I’ve struggled with, because I’m never fully comfortable telling what a character looks like right off the bat. I’m not sure why that is, except maybe it always seems a little artificial to me. But readers want to know who they are dealing with, and how will they know unless the author tells them?  Why not give them what they want?

When Box introduces a new character, you not only know what the person looks like, you know what kind of person they are likely to be and how they are likely to act as the story unfolds. Reading Box is a master class in character description. For example, when a man walks into a ranger station in Yellowstone to confess to killing four people, the ranger sees “a big man, a soft man with a sunburn already blooming on his freckled cheeks from just that morning, with ill-fitting, brand-new outdoor clothes that still bore folds from the packaging, his blood-flecked hands curled in his lap like he wanted nothing to do with them.” That right there is the way I’d love to be able to write.

It’s been said over and over, but it bears repeating: reading good writers makes you a better writer.

Keep writing, Mr. Box. I’ll keep reading.